One-act ballet to Bryars’ Les Fiançailles

The ballet was first staged in Perm in 2011. Running time: 25 minutes

Douglas Lee, a product of the British school of ballet, composed Souvenir while wandering along the corridors of the Perm Opera and Ballet Theatre, inspired by its profound history. The choreography is staged to music by the British minimalist composer Gavin Bryars and is full of nostalgic allusions — to the ballets of past masters like Frederick Ashton and Kenneth MacMillan, to the age of cinema goddesses, and to his own professional past: Douglas Lee composed this ballet when he finished his career as a soloist in the Stuttgarter Ballett. The ballet features various calligraphic supports and networks twisted around the main character, danced by the theatre’s prima ballerina Natalia Moiseeva. 

One-act ballet by William Forsythe set to the music of Thom Willems

The ballet was first staged in 1991. It was first performed in Perm in 2012. The 2022 revival

William Forsythe — not a pupil of George Balanchine, but a disciple of his who has developed the idea of pure dance in his own way – is a living legend in the ballet world. He has been called a deconstructivist of academic dance, but companies all over the world regard it as an honour to have his productions in their repertoire. In Russia, only the Mariinsky Theatre (three ballets) and the Bolshoi Theatre (one ballet) have so far held this right. 

Although from New York, Forsythe achieved his greatest successes in Europe. From 1984 to 2004, he headed the Frankfurt Ballet, earning it a reputation as one of the world’s most progressive ballet companies. In 2005, he formed his own company, the Forsythe Company, which is based in Dresden and Frankfurt-am-Main. 

Forsythe composed The Second Detail at the height of his Frankfurt period in the early 1990s. Ballet historians characterize the spirit and style of those years as ‘late classical Forsythe’. To the inventive synthetic beat of Dutch composer Thom Willems, a regular collaborator of Forsythe, 14 dancers in simple sky-blue costumes illustrate the choreographer’s favourite device: the sudden generation of movement in various groups of the dance ensemble and their differing contrasts with one another. The Perm production of The Second Detail was the Russian première of this ballet

Performed with permission from Boosey & Hawkes Music Publishers Limited

The principal partners of the production are Mr. Toshihiko Takahashi and the LUKOIL Group in Perm Region